Ghosts Parapsychology

Tony Spera shares his thoughts on The Nun, demonology and TV ghost hunters

It’s a chilly February evening and demonologist Tony Spera has a long trip ahead of him. He’s on his way home after helping a friend out.

One can only imagine what the road before him looks like as he’s taken the time to pull off to the shoulder and talk about his field of study via the phone.

The 67-year-old is the son-in-law of famous (or infamous) demonologists, Ed and Lorrain Warren.

During Spera’s departure from the police force in 1980, he started dating their daughter, Judy, and his curiosity was piqued by the stories Ed shared.

“Right off the bat, I was skeptical,” Spera admitted. “Are there really such things as devils and demons – the stuff you deal with?”

Ed, who died in 2006, responded affirmatively and shared the story of growing up in a haunted house in Bridgeport, Conn.

“His father would tell him this, ‘There’s a logical reason for everything that goes on in this house. (Ed) chuckled and looked at me, ‘Yeah, but he never told me that logical reason’.”

The reason for this reaching out is timely. The horror film, The Nun, opens nationwide Sept. 7, and it’s the direct result of Hollywood’s one-upmanship of The Conjuring, in Spera says, implicitly.

The Conjuring was where he and mother-in-law, Lorraine Warren, were tapped to provide insight into their work to director James Wan.

Wan is a fan of their investigations, even in light of the critics and skeptics who continue to write and criticize cases like the Snedekers, the Smurls and the Lutzs of the infamous Amityville Horror.

“You know how they want to make (The Conjuring) better? I’ve got to say the theme running through the beginning of The Conjuring 2 was spot on. It got changed when you had the Crooked Man and the Nun,” Spera said. “When you had the flooding in the basement – that was garbage. The movie was 50 to 60 percent true to what happened.”

Now, the entity in question, Valak — a serpent-eyed, ashen ghoul dressed in a habit — is subject to its spin-off.

There’s a subtle hint of annoyance in Spera’s voice when the film is referenced. When Ed and Lorraine Warren investigated the Enfield Poltergeist case, it revolved around the old man, Bill Wilkins.

“The Nun is totally made up,” he said. “There was no nun … and Ed never painted a nun.”

To Spera, the quintessential portrayal of paranormal investigation is The Conjuring. What happened to the Perron family in that Rhode Island farmstead was relevant to what the Warrens did during their investigations before Spera’s involvement.

His arrival on the scene was just in time for the Brookfield, Conn. murder trial of Arne  Johnson, which is referred to as The Devil Made Me Do It case.

The Modus Operandi

SPERA, left, joins Lorraine Warren and her Conjuring
counterpart, Vera Farmiga.

Spera leads the conversation into the origins of Ed and Lorraine. Ed was 16 and an usher at a movie theatre when he first met his wife.

Having lived in a haunted house with his brother and twin sister, he had turned to find answers as an adult. At 17, just before enlisting in the U.S. Navy, Ed told Lorraine once he returned they were going to investigate the house he read about in Fate magazine.

“He told her, ‘I want to know, have other people experienced the same things I have experienced when I was in that house in Bridgeport’,” Spera said, adding Lorraine didn’t believe it at the time.

She had been a student at Lauralton Hall in Milford, Conn. Whenever the nuns at the Catholic all-girls school caught wind she could see auras, she was reprimanded.

“There are no such things as haunted houses, that’s what she said to Ed,” Spera recalled. “And Ed said, ‘That’s because you haven’t lived in a haunted house’.”

When being consulted by James Wan for The Conjuring, Spera and Lorraine Warren shared these moments, as well as the traditional procedures they followed when investigating a case.

In the early days, Ed would use his painting talent to draw a house that was of interest. He’d give the painting to Lorraine and she would use that to see if she could into the house. Once they were in, Ed would come and talk to the residents about their alleged haunting.

Lorraine would tour the house to see if she could discern if the people were victims of an earth-bound spirit or something more sinister.

There are moments where they have to be on guard. Not for the ethereal, but the corporeal. Skeptics sometimes like to catch the Warrens in elaborate traps.

“A lot of times they will disguise themselves as a paranormal group or a family and they’re not,” Spera said.

Pitfalls of the trade, as the Warrens had captured the fascination of the United States and abroad. Their work is well documented in several books, co-authored with writers who later recanted their words, such as the case with Ray Garton or Robert Curran.

Even director James Wan was intrigued by their investigations, intrigued enough to bring the Perron family story to the big screen in the 2013 film The Conjuring.

For Spera, it was the truest film to the trade that he’s come to know.

The first contact was made with Lorraine Warren and Spera in 2009.

“They wanted to know the ins and outs of devils, demons, and exorcisms,” he said. “We were telling them various things they needed to know like the Rituale Romanum. What they would need if a priest was to portray an exorcism. They also needed to know the right terminology.”

Of course, the devil is in the details, literally. Wan wanted to know how the duo functioned. How Lorraine would pick up whether there was something in a house or not.

That something could be an earth-bound spirit. Or that something could be dark.

While she made the rounds in the home, Ed would set up his recorder and interview the family.

“The whole basis of Ed and Lorraine going into a house is not to solve the problem itself,” Spera said. “It’s to bring the evidence to the church to try and get an exorcism done if it’s a demonic presence in the house.”

Much like the scene in the first movie, where Patrick Wilson and Vera Farmiga are lecturing to a class that Lili Taylor is sitting in on there are the three stages of a demonic haunting: infestation, oppression, and possession.

“That’s what we were trying to show them, the proper way of investigating,” he said. “(Wan) knew what the Perron farmhouse was about because of the statement that was given from Ed to the producer.”

Lorraine’s life story has been signed away to the producer, which has led to some creative differences in the portrayal of the dual.

Annabelle is a perfect example of this. To stave off trademark infringements, the possessed doll’s appearance jumped from the actual body of a Raggedy Anne doll to inspiration from the Victorian era.

Then there is Wan’s affinity for creepy dolls — his Twitter handle is @creepypuppet.

Don’t Play With Dolls

ON SET: Lorraine Warren and Tony Spera join James
Wan, Patrick Wilson and the crew for a quick photo op.

That brings us to the modern-day investigators who chase ghosts and demons in shades of green for the delight of television viewers.

Zak Bagans, of the reality TV series, “Ghost Adventures”, reached out to Spera to ask if the real Annabelle could make an appearance on an episode during Season 15. It was hosted at his Haunted Museum in Las Vegas.

“I should have never done it. They begged me to come out. I said, ‘Alright, as long as it’s done on my terms’,” Spera recalled. “My terms were no one touches the doll and the doll never goes out of my sight.”

What wasn’t caught on camera, however, was Bagans’ behaviour, which caused Spera to pack up the doll and walk away from the show.

“It was all an act for the camera … He was saying stuff like, ‘I want to hug her. I feel sorry for her. I feel a connection to her’,” Spera said, with derision. “They cut it out.”

The request to treat the doll with respect had gone the wayside in Spera’s view, and that eventually led to his decision to leave and never return.

Allegedly, a visitor to the Warrens’ occult museum had taunted the doll as it sat behind the glass case and died not soon after in a motorcycle accident.

Did something happen with Zak Bagans after the stunt he pulled with Annabelle?

“He said something happened to his car,” Spera reluctantly disclosed. “I don’t know what it was that terrified him.

“The problem is it doesn’t have to happen right away … The devil doesn’t have to do what you want it to do,” he added. “It may happen a year from now and he won’t attribute it to the doll. They’re sly. They’re cunning. They hate you.”

There’s a glut of television shows with people screaming or jumping at every little bump, shimmy or shake. Yvette Fielding has made a name for herself in the British market as an over-reactionary. Bagans has the caricature that everything is a demon wanting to get.

And Spera has choice words for the ilk on TV.

“The guys on TV, they know one one-thousandth of what Ed knew,” he said. “I’m not going to knock anybody, but they don’t do it to help people. They just do it for ratings.”

They Hate God’s Image

RON LIVINGSTON, left, who played Roger Perron in The
Conjuring, joins Tony Spera and Lorraine Warren.

Those words weigh heavy on Spera’s tongue when he shares the greatest threat demons present to the physical world.

Perhaps it’s the strong presence of faith that seems to draw out the critics and skeptics of Ed and Lorraine Warren. They were perceived to be of traditional views and would educate many to avoid dabbling in the occult.

With every investigation that Spera goes on, everyone wears their faith in God as a coat of arms. It’s their aura, and that is what negative entities want to breakthrough.

“We take precautions when we go in. Those precautions are our faith in God, prayer. We envision ourselves in white light. We call that a Christ light,” he said. “That’s what the devil looks to get through. The devil has to get through your aura.

“Remember God created your aura, which is the supernatural glow around your body.”

People can have gaps in their auras, however, and those are exploited by evil entities. This comes down to a person’s faith.

One particular case of the Warrens featured a young New Hampshire teen named Stacy Collins, who purchased an Ouija board from a store called the Antique Attic. The story is detailed in the Warrens’ book, Ghost Hunters (1989).

The Ouija board was unwittingly used to bring a demon into the home and eventually it affected the 16-year-old’s mental health.

“God has already defeated the Devil,” Spera said. “The Devil is like a schoolyard bully who will come around, maybe even hurt you.

“If you ask God to step in and protect you, he will. God will never forsake you.”

In that case, the Warrens enlisted the help of Father Peter Martins to perform the rite.

The Conjuring’s Future

Spera’s role as a consultant has slowed down. Wan and company have managed to pull together most of the details of how the Warrens work. But The Conjuring 3 looks to manifest itself soon.

Now and then there are calls about nuance, and the one case that seems to have captured Wan’s directorial imagination is the Brookfield Murder case.

In February 1981, Arne Johnson and Debbie Glatzel moved into a home in Brookfield, Conn., where eventually Debbie’s son David would become possessed. Arne Johnson would eventually kill his landlord and his lawyer, Martin Minnella would use the possession defence before switching to self-defence after it was shot down by the presiding judge, Robert Callahan.

“Once they get a script, they’ll call you up,” Spera said. “They’ll ask what’s right and what’s wrong. That’s the extent of my consulting now.

“They have the meat and potatoes.”

Being a consultant aside, there’s still a state of reverence in his voice when talking about Ed. Spera shared his memories of how he would visit Ed and Lorraine and he’d ask Lorrain where her other half was.

“She said, ‘He’s reading a book’,” Spera recalled Lorraine saying. “I will never be as knowledgeable as Ed. Ed was special. He had a natural inclination towards (the paranormal). He spoke to thousands of paranormal people, scientists, priests, ministers.”

Editorial note: This interview was originally conducted for a different publication in preparation for The Nun. It was adapted for the Superstitious Times given the content. We’d like to thank Tony Spera for taking the time out to talk to us about his trade. 

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